Posts Tagged ‘baby’

My Origami Heart

Friday, February 26th, 2010

Miriam sent me an origami Valentine. origamiheartcu It was very exciting to receive in the post and I would have posted more on it sooner, but I was ‘between printers’ and have only just got my new scanner up and running. I decided to use it as a base for a freewrite. I’ve never posted a freewrite before. Or written one knowing that it would be public. So here it is: unedited. Cliches and all.

origami4

WING

Friday, February 12th, 2010

This is an excerpt from my poem, Wing

We find you, dear Wing,
in the half-dark
on the way back from the piglets…

I played around a lot with the PIGLETS … taking this line in and out of the poem. But I realised that it was integral to the whole energy and emotion of the piece. It was the SOUND of the piglets snufflilng and snorting, and this sense of life and innocence they evoked I was chasing in the poem. I realised their inclusion was essential, without them I couldn’t HEAR that noise –  and it was this Click through to see the video. Including this hyperlink and writing the poem up here helped create the draft. I wanted to create a poem with links, and in so doing I realised that that was an important step in creating the atmosphere of the piece.

a grey goose flaps overhead…

you are solid but unseen, mysterious
as a somersault inside the womb;

here, folded to a cup of hands,
plump as a wood pigeon
in the long, flat January grass
you are singular and intense
like a girl breathing quietly by a window,
her just-cut hair pressed against the glass.

RE-OPENING MY NOTEBOOK

Wednesday, December 9th, 2009

My last entry on Open Notebooks was on 30 July when I was waiting to give birth. In between then and now the worst thing that has ever happened to me happened: after a healthy pregnancy of 41 weeks I went in to a long labour that lasted for nearly five days all in all. It wasn’t until the morning of 7 August that the midwives picked up an irregularity in the baby’s heartbeat and I was rushed in to theatre for an emergency Caesarian. Unfortunately, the surgery was unsuccessful and after a long fight for life, our son Otto’s heart and lungs gave out. He was a first and a much longed-for child.

The rest of August is a blur of shock and grief. I think the body literally puts you into physical shock so you can cope with the spiritual and emotional turmoil. I didn’t know whether I would write or not, but as it turned out, it felt quite natural to open my notebook, start a journal and write poems about the experience.

shells-notebooks

A Parcel from Helen

The next question was whether I would share that process here. In many ways it was something I wanted to do: surely this was the point of Open Notebooks? The death itself had been necessarily public: pregnancy is a time of expectation and many of the physical changes in the body are obvious. Friends, family and colleagues await news. Yet the intensity and depth of grief felt inherently private. My Twitter, Facebook, online blogging and browsing were all abruptly halted. Even connecting to the internet to check email was something I was slow to do. I needed the quiet of trees and birds, to look at the sea not the screen.

The Beach at Cassis

The Beach at Cassis

A huge wave of support washed in from everyone we knew. The buzzer would sound and packages arrived. The parcels, notes of condolence, cards and flowers were a comfort, and something I came to enjoy, despite their provenance.

thepoetreclining

Abiye Sends Me 'The Poet Reclining' and Some Shades. There's a beautiful synchronicity to this package's arrival. All week I'd been working on a poem - in my mind was a long walk in the Luberon earlier in the summer I wanted to compare to a painting by Chagall, with a horse, green fields and a bruised-looking sky. There was something very particular about the colours and the atmosphere I wanted to catch but I couldn't quite conjure up the image. Abiye's gift came with a postcard of Chagall's The Poet Reclining - the very same image.

Abiye's Dad's Vintage Sunglasses from Nigeria

The Shades Were Hot Too

I began also to venture back online.  One day I clicked through to fellow poet Miriam Nash’s blog post about her creative letter writing workshops which explore the letter as a form. I loved this idea. I left a comment and also started to think about how I’d enjoyed the snail mail letters I’d received and how this experience related to the idea behind Open Notebooks.

With this in mind, Miriam and I met earlier this week and she’s going to be guest blogging on the site with me over the next few weeks.

Notebooks at the Ready

Notebooks at the Ready

We’ll be sending each other snail mail letters, responding to the contents and using the correspondence to generate poems.

The Book of Stamps

The Book of Stamps

I gave Miriam a book of stamps. She seemed very pleased with them. Now I need to write my first letter…

Monkey 2 - syllabics

Friday, July 17th, 2009

monkeydraft3

The monkey that bursts from my torso
burns toast and blisters thumbs.
It swings on bone asymmetric bars,
palms strapped in waxed cotton.

A doll-sized heel kicks in a balloon
bomb of raspberry leaves
while the monkey slips from rib to spine,
fast and strong as a drum.

An old soul licks its lips,
swallows salt water, savours the taste
of roasted buffalo
flesh between teeth, wet with juice and blood.

Need to add another stanza from the earlier draft where I wake from the dream but I’m not really in the dream but I’d like to capture the feeling afterwards - FEAR - of something bigger and stronger than you at work over which you have little control.

Monkey +

Thursday, July 2nd, 2009

I had another dream about the baby. This time I’m freewriting straight into the post. The baby was blond haired and very like S. Nothing like me. It was a girl but like a boy or was it a boy like a girl? In any case the monkey has stuck with me. The elasticity. The strength and physicality. Someone asked me if I’d had strange dreams which was a symptom of pregnancy - and I said ‘no’ - then the very next night I had one, and then another consecutively. (Pregnancy has ’symptoms’: interesting - is it partially in our consciousness as some kind of dis-ease?) Anyway: I need to keep that brute physicality in mind. It was frightening - or fascinating. The blond baby was also intriguing. I want green eyes so I want the baby to have green eyes. But you need green to get green apparently. Brown and blue won’t do it. S and the baby were alike. I felt a bit left out. The baby was older. Could sit up. It was however human! So I’m thankful for small mercies. It’s late now. Over and out.

Karen McCarthy Woolf

karenreddressfull Karen McCarthy Woolf was born in London to an English mother and Jamaican father. Her poetry pamphlet The Worshipful Company of Pomegranate Slicers was selected as a New Statesman Book of the Year. She is also an editor. Check her website for more.

Credits

Recent Posts

Recent Comments

Join in